AUDIOVISUAL

Audiovisual Training

I studied cinema and audiovisual theory and practice for four years during high school through a dedicated Cinema & Audiovisual option. This training gave me a great understanding of both creative direction and technical execution.

I am able to manage an audiovisual project, including:

• scriptwriting and narrative structure,

• storyboard and cinematic shots with balanced framing and proportions,

• lightning management according to mood and subject,

• video editing and rhythm,

• colorgrading,

• sound design,

• photo retouching and visual enhancement using Adobe Photoshop.

This background allows me to approach visual creation with a structured, intentional, and storytelling-driven mindset.

Camera Investment & Technical Capabilities

In December 2025, I invested 5,000 € in a Nikon ZR camera setting, often referred to as an “FX30 killer” due to its strong performance-to-price ratio and its ability to deliver cinema-level image quality.

The camera offers:

• excellent dynamic range,

• high-quality color science,

• good low-light performance,

• flexibility for both RAW photo and video workflows,

• compatibility with professional lenses and accessories.

While RED cameras are traditionally considered a reference in professional cinema production, my setup allows me to achieve high-end visual results suitable for commercial, editorial, and creative projects, with great versatility and agility.

Overall, this long-standing interest in cinema has allowed me to become both technically trained and properly equipped to produce high-quality editorial content for companies, combining storytelling, visual consistency, and professional execution.

I shoot with a 24-120mm lens, which allows a large range of creativity with framing.

Shooting & Creative Scope

I am comfortable shooting a wide range of subjects (and still learning), including:

• product and packaging photography,

• nature and landscapes,

• editorial content

• cinematic aesthetic

• low light, day light, studio light

• mimicking colorgrading from other movies

I do not impose creative limits on what I shoot; the focus is always on storytelling, composition, and visual coherence, regardless of the subject. This adaptability allows me to respond to diverse creative and commercial needs while maintaining a strong visual identity.

Photoshop project to save a bad centered, yellowish lighting and distorted frame of a Versace packaging :